Linked by Thom Holwerda on Mon 17th Jan 2011 12:02 UTC
Multimedia, AV I generally need a billion words to explain the problems inherit in the current copyright system. Joss Stone needs just one minute. "I don't care how you hear it - as long as you hear it." Can we please appoint Ms Stone as supreme overlord of the universe?
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sparkyERTW
Member since:
2010-06-09

"Poorly indeed. AFAIK artists only get about 1% of the money their records actually produce, and when the artists sign a contract with such a company the contract usually even has a clause stating that the copyright doesn't belong to the artist anymore.

Call me idealist, but IMHO that's also a form of stealing.

If you want, I've got some official numbers on that matter. They are about the French market, but it's probably the same everywhere.

For physical distribution :
Artist 4%
Producer 5.97%
Studio&Editor 15.6%
Sacem (local RIAA) 4.46%
Distributor 19.95%
Reseller 40.22%
The rest (~10%) is VAT

For online distribution
Artist 2.8%
Producer 7%
Studio&Editor 25.6%
Sacem 7.6%
Digital distributor 35%
Online reseller 1%
DRM&related 5%
The rest (~16%) is VAT

(From : SVM/L'ordinateur individuel n°232, 11/2010)

Think about it : the artist gets much less than even the VAT ^^'
"

See, now that's really interesting. I've found indications that online distribution is better for musicians.

http://www.informationisbeautiful.net/2010/how-much-do-music-artist...

Hmph...

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