Linked by Thom Holwerda on Tue 10th May 2016 09:29 UTC
In the News

Ghost in the Shell is the product of and response to decades of physical erasure and technological alienation. It's pop cultural fallout, a delicately layered croissant of appropriation upon appropriation. It's as timely as ever, but it feels wildly inappropriate for an American studio and the British director of Snow White and the Huntsman to pick it up and sell it back to us. At the same time, Japan and the US have been stealing and selling images to each other for decades, and the result hasn't always been awful. I would still argue, though, that the knotty history that leads to Motoko Kusanagi will be lost in translation. This isn't The Matrix or Pacific Rim, this isn't just a look and a vibe being lifted. This is the entire history of Japan's relationship with itself, the US and technology, and without that, you're left with nothing but an empty prosthesis.

Beautifully written analysis of the Ghost in the Shell casting issue, by Emily Yoshida.

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RE[21]: Over thinking it
by demetrioussharpe on Sat 14th May 2016 22:30 UTC in reply to "RE[20]: Over thinking it"
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I am going to take the definition of an English word from an English Dictionary over some asshat on the internet.

Most other people would as well.

As I'm sure you well know, Americans speak American English. As such, we don't really care which dictionary you, nor the other inhabitants of your equally racist country, use.

Sorry but you are sounding more and more like an SJW seeing racism where none is present.

Considering that your country is one of the prime sources of the world's racism, I'm sure that you'll understand why your assertions of "its not racism". Had your ancestors, & their friends, stayed in their own country, there would've been zero instances of racism. The fact of the matter is that all racism stemmed from Europe & flowed outward to every single area that Europe colonized.

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