Linked by Thom Holwerda on Mon 9th Jan 2017 11:19 UTC
Multimedia, AV

Back before all-digital music, back before the Digital Compact Cassette, back before even the Digital Audio Tape existed, there was a strange audio device that briefly captured the imagination of Hi-Fi freaks across the world. The Elcaset, as it was called, was an enlarged cassette that started in Japan, wove its hidden, spinning spools around the world, and then finished, appropriately enough, in Finland.

As someone who swore by MiniDisc up until quite recently, I love obscure audio formats. This article is from the summer of last year, but I only came across it just now thanks to Atlas Obscura.

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RE[4]: Comment by dionicio
by unclefester on Wed 11th Jan 2017 09:23 UTC in reply to "RE[3]: Comment by dionicio"
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Some people still prefer records even, In my head I can still here the white noise produced by the record playing silence between music tracks. Ironically the low fidelity actually sounded better for some individuals because it produced a "warm" feeling sound that was characteristic of the early analog recorded music at the time.

It's probably similar to the white noise some phone carriers add to digital telephone calls, apparently the lack of such noise makes people less comfortable. According to this thread it's not done universally though.

I have a pathological hatred of sound artifacts (wow, flutter, rumble, hissing, popping etc) in recorded music. They don't occur in live performances and I don't want them in my recordings.

Edited 2017-01-11 09:24 UTC

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