The Amiga has what is with no doubt in my mind, the absolute finest sound chip inside of any computer or console throughout the 1980’s as well as most, if not all of the 1990’s. Full disclosure; I have an MT-32… And the Amiga can actually do a piano. Yes, in a time when the vast majority of IBM and compatible PC owners were using a small speaker stuck deep inside of a metal tomb, Amiga users had a quality of sound nobody else could touch for that price.
To combat the story that has long been shaped that the Amiga was not popular to musicians because it did not have built in MIDI connectors I give you this quote given directly to me from the creator of the sequencing program Music-X, Talin:
“The story with MIDI is actually much more complex than most people realize. You see, the early Amiga models had a hardware bug which made the serial port unreliable at high data rates. Basically the problem was that the serial port hardware had only a one-byte buffer, and if you didn’t grab that byte before the next byte came in then data would be lost. Unfortunately, the Amiga’s four timer chips would generate a software interrupt at regular intervals, during which time the serial port could not be serviced. And while MIDI speed wasn’t super-high, it was high enough that you’d get a dropped byte every 10 minutes or so depending on how many notes you were sending over. Note that this did not affect the higher-end MIDI adapters which had their own dedicated serial point, but those were considerably more expensive.”
Interesting article about past MIDI challenges with the Amiga and how to hook up a modern synth to an Amiga to make music.
Interesting! I didn’t know about Amiga’s serial port problem… now I understand why nobody in the music industry used the Amiga!
Back in the day Atari ST was the gold standard among musicians, I remember people using it even in the middle/late 90s running Cubase… paired with a SM124 monochrome monitor It was pretty cool. Then everybody switched to the Mac or the PC, but the ST was huge.