UPDATE: Engadget just wrote a reply to this article. The article says that you don't need an extra license to shoot commercial video with h.264 cameras, but I wonder why the license says otherwise, and Engadget's "quotes" of user/filmmaker indemnification by MPEG-LA are anonymous...
UPDATE 2: Engadget's editor replied to me. So according to him, the quotes are not anonymous, but organization-wide on purpose. If that's the case, I guess this concludes that. And I can take them on their word from now on.
UPDATE 3: And regarding royalties (as opposed to just licensing), one more reply by Engadget's editor.
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I don't expect anything to come of this given the proliferation of MPEG-2/MPEG-4 devices and content creation tools over the past decade, but regarding the quoted text, the key would be how "video provider" is defined.
Google, for example, is a licensee and is the distributor of content on YouTube. It may be reasonable (depending on other references to "video provider" excluded from the quote) to conclude that in uploading to YouTube, the creator the video is meeting the "personal and non-commercial" clause as long as they aren't directly benefiting from the video's availability. Google is "a video provider licensed under the AT&T patents to provide MPEG-4 compliant video" who then alters the content for their (not the user's) commercial interests by re-encoding, re-distributing, or attaching ads not in the original work. The provider could be the entity distributing the video to the end user, or it could be the encoder implementation that produces the video.
A narrow reading of the quote may imply the video provider is the camera user, but even professional videographers aren't personally licensees. The entities they shoot for may be. I think MPEG-LA just wants to be sure they're getting paid for the encoders/decoders. The license text could be clearer to better convey that intent.
Ok, let's break that down.
This product is licensed under AT&T patents for the MPEG-4 standard and may be used for encoding MPEG-4 compliant video.
I see no problem with that...
and/or decoding MPEG-4 compliant video that was encoded only (1) for a personal and non-commercial purpose or (2) by a video provider licensed under the AT&T patents to provide MPEG-4 compliant video. No license is granted or implied for any other use for MPEG-4 standard.
Here's where it might get sticky, this is saying you can't use the camera to decode commercial video unless it's licensed under AT&T's patents. I'd say since you bought the camera, that Canon has payed a fee to AT&T for you to watch what you recorded, but it almost seems to disallow you to preview the video if you are considered commercial, a "provider". In this case though, you are the author, and any licensing to edit the files would be taken care of by your editor of choice and to distribute a film on a disc would probably come as something similar to the mpeg-2 license. I'm thinking the personal and non-commercial clause is meant to apply to your home movies vs decoding a blu-ray stream.
So remember, don't watch movies on your camera.




Member since:
2005-06-28
The h.264 dSLR manual does not mention packaged media:
"About MPEG-4 Licensing
This product is licensed under AT&T patents for the MPEG-4 standard and may be used for encoding MPEG-4 compliant video and/or decoding MPEG-4 compliant video that was encoded only (1) for a personal and non-commercial purpose or (2) by a video provider licensed under the AT&T patents to provide MPEG-4 compliant video. No license is granted or implied for any other use for MPEG-4 standard."
As you can see, while the mpeg2 licensing might have been about packaged media, the h.264 is not. Because since the mpeg2 thing, the Internet happened. So MPEG-LA adjusted their licensing agreement to be MORE broad.
Edited 2010-05-02 05:10 UTC