Games Archive

Back in the 90s, if you had mentioned the names Nintendo and Sega to a kid in America, Japan or Europe, their face would have likely lit up. They'd instantly know what these words represented; the colour and excitement of a game on the TV screen in their front room, and a sense of fun. But if you said these words to a child in Russia, they'd have looked at you blankly. These companies were not present in the region at the time. Say 'Dendy', however, and you'd invoke that same kind of magic.

This was a counterfeit NES console that was released in December 1992 by a Russian technology company called Steepler. It all began when Victor Savyuk, then working at another tech firm called Paragraph, first learnt of 'TV games'; machines that plugged into your TV at home, were controlled with joysticks and let people enjoy video games.

Everyone has childhood dreams. Mine was to make a game for my fist console: the Nintendo Game Boy. Today, I fulfilled this dream, by releasing my first Game Boy game on a actual cartridge: Sheep It Up!

In this article, I'll present the tools I used, and some pitfalls a newcomer like me had to overcome to make this project a reality!

The spec sheet, as announced, is still pretty vague, but Atari has confirmed a few notable things, starting with a price point between $250 and $300. In exchange for costing roughly as much as a Nintendo Switch, Xbox One S, or PlayStation 4, the Ataribox will come packed with an "AMD customized processor with Radeon graphics technology." Additionally, this will not be an Android system. Instead, the Ataribox will run Linux "with a customized, easy-to-use user interface."

Metroid, which debuted in 1986, would go on to spawn one of Nintendo's most-revered franchises. The ongoing adventures of bounty hunter Samus Aran differed quite a bit from the company's other big names, like Zelda and Mario. In comparison, Metroid was dark and solemn, with a looming feeling of isolation and a powerfully alien sense of place, inspired in large part by the first Alien film. It was also a game that felt unique in its structure. While Metroid was a 2D, side-scrolling game, it took place in an expansive, interconnected world. Players could explore in a nonlinear fashion, and would often have to return to areas using newfound abilities.

The game went on to spawn a number of beloved follow-ups, including the sublime Super Metroid in 1994, and the Metroid Prime spinoff series that transformed the 2D adventures into a first-person, 3D experience. Most recently, Nintendo is set to release Metroid: Samus Returns on the Nintendo 3DS, the first traditional side-scrolling Metroid in nearly a decade. But the importance of Metroid can be seen in more than the games released by Nintendo. The series has also had a profound influence on gaming as a whole, inspiring a generation of designers along the way.

Valve's Alden Kroll was at Indigo 2017 to talk about Steam and the changes they're working on. The talk covered the business side of Steam as well as some specific features available for game makers. The company wanted to meet developers face to face, answer questions, and hear feedback and suggestions as well.

"The fundamental reasons that Valve cares about SteamOS haven't gone away, and we continue our work to expand it," Valve said in a statement to PC Gamer. I had asked if SteamOS was still a priority, how many people were working on it, and if Windows 10 changed Valve's approach. "The launch of Steam Machines taught us a lot about what Steam customers value in hardware. Right now we're continuing to work on SteamOS as a product, with over 96 updates and 3,525 games released. We have many incentives for those making SteamOS titles and we see a bright future for SteamOS, especially in VR."

The comment about VR is interesting, as the new tech is clearly Valve's present focus. If SteamOS can provide a better VR experience than Windows, and VR technology proves itself more popular in the future, perhaps the OS has a shot of resurging with a new round of 'SteamVR Machines'. But the success of SteamVR isn't a sure thing, either.

The people who make enhanced editions of old role-playing games like Baldur's Gate and Planescape: Torment want to do the same thing for Icewind Dale II. There's just one problem: nobody knows where to find the code.

Nintendo has revealed details for the SNES Classic. The standalone mini console will feature 21 games, including Super Mario World, Earthbound, Super Mario Kart, and The Legend of Zelda: A Link to the Past. But the most surprising inclusion is Star Fox 2, the unreleased sequel to the original Star Fox for SNES.

Almost immediately, fans asked how this happened. Why was Andromeda so much worse than its predecessors? How could the revered RPG studio release such an underwhelming game? And, even if the problems were a little exaggerated by the internet's strange passion for hating BioWare, how could Andromeda ship with so many animation issues?

I've spent the past three months investigating the answers to those questions. From conversations with nearly a dozen people who worked on Mass Effect: Andromeda, all of whom spoke under condition of anonymity because they weren't authorized to talk about the game, a consistent picture has emerged. The development of Andromeda was turbulent and troubled, marred by a director change, multiple major re-scopes, an understaffed animation team, technological challenges, communication issues, politics, a compressed timeline, and brutal crunch.

Many games share some of these problems, but to those who worked on it, Andromeda felt unusually difficult. This was a game with ambitious goals but limited resources, and in some ways, it's miraculous that BioWare shipped it at all. (EA and BioWare declined to comment for this article.)

Mass Effect: Andromeda was in development for five years, but by most accounts, BioWare built the bulk of the game in less than 18 months. This is the story of what happened.

In the nearly 18 months since a CD-ROM-based "Nintendo PlayStation" prototype was first found in an estate sale, emulator makers and homebrew programmers have created a facsimile of what CD-based games would look like on an SNES. Efforts by hacker Ben Heck to get that kind of software actually working on the one-of-a-kind hardware, though, had been stymied by problems getting the CD-ROM drive to talk to the system.

Those problems are now a thing of the past.

In a newly posted video, Heck lays out how the system's CD-ROM drive suddenly started sending valid data to the system literally overnight. "I was working on this yesterday and the CD-ROM wasn't even detecting the disc," Heck says in the video. "I came in this morning and jiggled the cables around and got ready to work on it some more, and all of a sudden it works... did a magic elf come in overnight?"

In the early life of the Nintendo Switch, when it was still codenamed Nintendo NX, there were a lot of rumors floating around about the device. We saw a console with an oval shape and a screen that seemed built into the buttons and rumors that the new device would run Android as its operating system.

While the product we have today resembles nothing of those early prototypes, it looks like the Android rumor may not have been far off. Cyanogen's Kirt McMaster tweeted early this morning to say that Nintendo had approached him about designing a custom Android-based operating system for their new console, but he had some choice words for the company.

In Kingsway, Andrew Morrish's upcoming PC role-playing game, monsters are pop-ups, quests are emails and your backpack is a cluttered file folder. That's right, it's an OSRPG.

Coming to PC later this year via Adult Swim games, Kingsway is a role-playing adventure that takes the form of the Kingsway Operating System, which is basically a primitive Windows/MacOS for the monster-slaying set. Travel the King's land via World Navigator window, slaying monsters as they pop up on your desktop. Drag-and-drop windows to your heart's content.

The Switch is a console sandwiched between a bar of success lowered by the disaster of the Wii U and the considerable ground Nintendo must make up.

Compared to the Wii U on its merits, the Switch is a slam dunk. It takes the basic concept of the Wii U, of a tablet-based console, and fulfills the promise of it in a way Nintendo simply wasn’t capable of realizing in 2012. It’s launching with a piece of software that, more than anything in the Wii U’s first year, demonstrates its inherent capability of delivering what Nintendo says is one of the Switch’s primary missions: a big-budget, AAA game that exists across a handheld device and a television-connected portable. The hardware lives up to its name in how easily and smoothly it moves between those two worlds, in how dead simple it all is to make something pretty magical happen.

Gabe Newell sits perfectly still, leans forward. His hands are laid on his lap. Only his eyes are moving. They shift rapidly from left to right and back again. He's physically here, he's sort of listening, but I'd say he's also somewhere else, mentally untangling the knots of the future.

The way he talks bears this out. He's unscripted, exploratory. He ranges far from corporate dogma and empty visionary horseshit. He admits when he’s been wrong in the past, or that he might be wrong right now about one of the biggest gambles of his career.

I like this about him: the act of engaging with journalists without a script, enjoying an actual conversation, prodding ideas that might be important outside the confines of a media event.